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Violet Hill

Wednesday, April 30, 2008

Violet Hill

Was a long and dark December
From the rooftops i remember
There was snow
White snow

Clearly i remember
From the windows they were watching
While we froze down below

When the future's architectured
By a carnival of idiots on show
You'd better lie low

If you love me
Won't you let me know?

Was a long and dark December
When the banks became cathedrals
And the fog
Became God


Priests clutched onto bibles
Hollowed out to fit their rifles
And the cross was held aloft

Bury me in honor
When i'm dead and hit the ground
A love back home unfolds

If you love me
Won't you let me know?

I don't want to be a soldier
With the captain of some sinking ship
With snow, far below

So if you love me
Why'd you let me go?

I took my love down to violet hill
There we sat in snow
All that time she was silent still

So if you love me
Won't you let me know?

If you love me,
Won't you let me know?

90s

90s

Most of us remember what the 90s was like, the way everything felt so brand new like fresh paint down a corridor. If you thought that the fashion statements in the 80s were bad, the ones in the 90s weren't all that much better either. I don't recall much of the 90s personally, since I spent the better part of those years finding my spot in a foreign country, getting used to a bunch of foreigners and not to mention the constant terror that the school so inaptly provided. I was a child, and no child should be terrorized by the school teachers and the way they waved around their feather dusters. School wasn't too much fun back then, but at least all the times in between were very enjoyable, and probably the most carefree periods of my life. The joy was in the way the class counted down to recess, or the way we would sneak out of the school during recess to buy candies from the shop underneath the HDB blocks. Of the ten years that we call the 90s, I spent two of those years in an ugly kindergarten uniform, while the another six in the primary school uniform that looked as if it was designed after a plate of broccoli. The green wasn't really green but a distant and ugly cousin of it. All in all, I was an ugly little kid back in the 90s, but it's not like I realized or cared too much about it either.

I am sure I am not alone here when I say that I have had fond memories of the 90s, and I am proud to say that I am a 90s kid despite the fact that I was born in 1986 in a hospital in Taipei. I remember those awful cartoons they used to show at six in the morning on weekdays and eight on weekends, and the way I'd wake up bright and early before school just to catch them despite hating the dubbing. Mediacorp used to buy horrendously dubbed Japanese animations by Chinese voice actors, and they'd make the characters sound ten times older than they actually are, not to mention the irritating accents they'd inject into the dialogues. It was excruciating, but it's not like we had much of a choice at six in the morning at that time. I remember the cartoon about a superhero with a tomato as his head, and I also remember them showing the animated version of Garfield for a while. Other than the tomato-head superhero, there was Captain Planet, Teenage Mutant Ninja Turtles, and Voltron in the earlier years of the 90s. Television back then was the cradle of life, the life of every children back then. Television made the 90s worthwhile. 

It is the modern classics now, but it was the realm of Goosebumps back in the 90s. Every boy had a Goosebump in their hands, while every girl had a Sweet Valley High, or an Archie comic to read. The boys would then use the stories they have read in Goosebumps to scare those girls, which really isn't all that scary now that I think back on it. I was a crazy fan of R.L. Stine, I collected every single book in the series and went on to collect even more from his other series. Ghosts of Fear Street and Fear Street, everything. Book #42 is still missing from my collection by the way, apparently one of my friends borrowed the book called "How I Learned to Fly" and failed to return it. But I was dumb enough not to keep tabs back then, so I guess it was partially at fault. Goosebumps wasn't the only source of fright for the children back then, everybody wanted something to temper with their nerves. Everybody remembers the show they used to broadcast just before dinnertime on television - Are You Afraid of the Dark? Yeah, everybody was freaked out when the boy was turned into a lizard, and then the bonfire would be extinguished at the end of the show, leaving the viewers screaming for their parents. We had a love hate relationship with our television back then, what can I say. 

Before DVDs, before VCDs, there were LDs, or laser discs. I'm not sure who came up with that brilliant idea, but those discs were bigger than my head back then. It could have doubled as a mirror at home if you wanted to, but most of the time it just looked like something out of a science fiction movie, like a giant razor blade or something. I remember my sister buying the Backstreet Boys live concert LD once, and that giant disc cost a little more than fifty dollars back then. She watched it for a grand total of one time, and it was left to collect dust on top of the CD collection. I guess the idea of an LD just wasn't all that appealing, which was why shops in the neighborhood still had VHS tapes all over the place. I remember this young English tutor back then introducing to us the Child's Play series, and we thought that it was going to be a family comedy when we tried to rent it at the rental store. It was strange how the pretty English tutor I had would introduce such a violent horror film to two children barely over the age of eight. I don't think we ever got to finish those tapes, I think my mother returned them after the first ten minutes of the movies. The English tutor was blamed for the next day, we never heard from her again. 

In contrary to a lot of common misconception of my friends, there was actually a period of time when I was crazy about sports. After all, back in those days, it was either you played basketball on the courts, played soccer on the fields, or stayed on the sidelines as cheerleaders or nerds. I didn't want to belong to the latter group, which was why I actively involved myself with the various ball games, and being taller than the other kids sure gave me an edge at basketball back then. I remember those glorious days when Chicago Bulls was the best basketball team in the entire world, I remember the moment when Michael Jordan took that shot in the last minute against the Utah Jazz and then winning the title that year. It was in June of 1998, and I was in Taiwan for my June holidays in my aunt's house. My uncle was a closet Chicago Bulls' fan, but he supported the Utah Jazz and loved Karl Marlone only because I loved Michael Jordan. He basically liked whoever I disliked, just for the fun of it. Still, I remember when Chicago Bulls was the best team in NBA - whatever happened to that.

There were other things about the 90s that I remember of course, and one entry would certainly not be enough to name them all. I remember when every student in school were forced to buy lukewarm milk and to brush their teeth by the drain. I remember each and every word to the lyrics of The Fresh Prince of Bel Air. Hell, I even know (or think I know) every word to Macarena by heart. I remember how everybody was crazy over Sega 32-bit consoles, the first generation Gameboys, and Yo-Yos. I remember the taste of those tubes of fruit-flavored ice which we used to buy outside of our school, the way we had to break them into half in order to suck them out. I'd do that at the top of the stone slide outside of our school while everybody else ran around in circles in the playground. Playgrounds back then were still covered in sand, and it sure beats the ones that we have today. 

Last but not least, the music. 90s had some of the greatest musical acts ever. It was a time when musical legends were born, and how musical legends were worshipped as a deity of some sort. Sure, the so-called legends like Madonna and Michael Jackson has been around for quite some time by the time the clock reached the 90s, but it was during this period of time when they were officially crowned as the queen and the king of pop. Of course, one of them remains the queen of pop while the other is just getting weirder and weirder. I am proud, however, to tell the world that I was, and still am, a fan of the Backstreet Boys. Let's face it, this boy band dominated the 90s, selling over 75 million records worldwide thus far and had some of the most memorable songs ever to hit the airwaves. It was alright if none of us looked like Nick, sang like Brian, had the bad boy vibe going on like AJ, or whatever. If you knew how to sing like them, dance like them, or even hum one of their tunes, you were cool. Even now, I can still do a little bit of the dance moves they did for Larger than Life, and only the truly privileged friends of mine have seen it before. Pop music was so cool back then, remember these?










Viva la 90s. 

Apple's Dominion

Tuesday, April 29, 2008

Apple's Dominion 

Apparently, 
Steve Ballmer realized that Keynote shits all over PowerPoint.
Not only is the title of the presentation wrong,
it is also the last place you'd find a Macbook Pro.
That's enemy infiltration at best.
Watch and learn.

Love Is A Tangible Thing

Monday, April 28, 2008

Love Is A Tangible Thing

This is an entry inspired by a friend of mine, after reading her entry a couple of days ago. I never got around to put my thoughts together however, I was busy with the examinations as other entries which I thought to be a little more urgent than this one. I hate to turn this place into a great collection of sappy entries, I know how that is like. Her entry was inspiring in a way that I started to question the very nature of a very natural emotion in possession of all humans, the great enigma of human emotions that we have yet to explain with any mathematical formulas or scientific theories. Religion has somehow provided the answers to love, though it also involves an invisible blindfold and a visionless devotion. In essence, all our very human emotions are not more than the results of neurons firing off in our heads, synapses and other chemical reactions controlling the way we laugh, the way we cry, the way we want to slit our wrists just to feel the slight pinch of physical pain. It is a very basic function of our body, as natural as the inflation and deflation of our lungs, the pulsating of our hearts. Yet, despite everything, love is such an intangible thing that we all have the ability to feel, isn't it?

I haven't been in a lot of relationships, but I suppose I had the privilege to experience love at first hand, and drew my own very naive conclusions as to what it was. It was when I was inches away from her face on a rainy day, it was the kiss under the stars as the lights faded away. It was the feeling of safety despite the unknown, it was that feeling I shared with that someone who was the person I wanted to grow old with. In view of the events that came to pass, however, revisiting those intimate moments of the past caused me to question where it all fitted into the moment, how everything was merely theatrics that eventually led to a soap drama with a bad ending. I was left alone during the closing credits, asking myself the same question my friend asked herself in that blog entry, despite being in a completely different situation from myself. She is in a very healthy relationship I'd say, I have met the guy before. He is a good person, the kind of person who'd take a bullet. This is how a happy couple would look and feel like, but at the same time I suppose even perfection has its imperfections, and you start to fear when it is all going to end. 

It may seem strange for a person in a relationship to question the nature of love, but I guess it is only natural from my point of view. That is especially true for her, after being through so many relationships in the past, quitting a partner because things did not work out, one way or another. It resulted in her questioning herself in the end, as to why she is in her current relationship at all. You see, when you are together with somebody for a long enough time, you start to wonder if you are with this person for the sake of being with someone, if you are with a person because there isn't a better person out there for you, or because this person has less qualities that piss you off to no end. Either way you see it, it is not your idealistic reasons to be with somebody, but that is perhaps the other perspective of looking at things. It's all about cost benefits here, the exchange theory that makes love so economical in nature. By the books, we stay with someone because this person gives us less trouble than the others. It is a cold and harsh way of looking at things, but it is a perception that we cannot wholly deny. We are that selfish, we are that self-absorbed. What is love if it is not being with a person who can provide more to satisfies our emotional and physical needs - we don't know that anymore.

If we attempt to get to the bottom of this, I think we are going to find love to be a very tangible thing, at least that is how I see it. I think love is tangible in the sense that it can be held in your hands, it is something you can touch with your fingers and smell with your nose. It is something you can see with your own two eyes and taste with your tongue, but it is hidden somewhere in this vast universe and nobody has ever seen it before. Those who have claimed to know what love is are no different from people sitting in a bar and telling stories to each other over a few cups of cold beer. You know how it is with rumors, they usually start with somebody thinking that they know something, and then it becomes amplified and then gets spread from mouth to mouth from then on. I think hidden deep in one of those untamed jungles of our world, or deep in the oceanic trenches in the seas lies the answer to the question we all seek, like something right out of the pages of a fantasy novel. 

Perhaps someday, a group of adventurers would seek to find it, to find the tangible love that I spoke of, like the template of any great adventure stories. This is how it is going to happen one day, and it'd begin with a rich old man in his death bed, thinking back upon his life and then finding out that he has never experienced true love before. He has had a lot of women in his life, women that came and went and none of them remained long enough to warm his bed. So he recruits a group of people to seek out the legendary thing called "love", deep in the jungles or the Pacific Ocean. The old man has nothing to lose, he doesn't have any children to inherit his money or a mistress he loves enough to will his wealth to. So he invests in all the equipments needed for this group of adventurers to embark on the journey out into the unknown, to seek out the answer to the question of love that has troubled us for the longest time. 

The quest is difficult, and the team has found nothing through the forests and the oceans, not even in the mountains or in the deep undiscovered caves. The old man panics, his days are drawing to an end and he knows it. He decides to go public with the quest, broadcasting to the world regarding his ambitions, and promises the remainder of his wealth for those who knows about the whereabout of this thing called "love". Given enough time, given enough money, anybody talks, anybody spills. People started to send in maps and stories from all over the world, and each clue was carefully inspected and discarded by a workforce specially gathered by this rich old man. By the end of the month, the team finally secures a plausible clue in Antarctica, and a ship was sent for with the original adventurers to the southern-most point of the world. Once there, the team began on their trek across the icy lands to the location of "love".

This is where the story ends, this is the climax. They are going to find love, frozen deep beneath the ice inside a locked chest. They are going to burn off the ancient lock and then they are going to open the chest. Within that chest, they are going to find "love", they are going to hold it in their hands and they are going to be famous. At least that is what they hoped for moments before they opened the chest. The truth is, however, as tangible as it is, "love" really is an over-rated, well, thing. It is going to disappoint a lot of people, it is going to be the biggest letdown in human history. People are going to look at its photographs and despair, for love no longer is a mystery, it is no longer something which everybody is trying to find out. It is going to look ordinary, too ordinary, normal to human eyes. People are going to give up on love, because it no longer fascinates them the way it did when it remained buried under the ice, people are going to lose their faith in it altogether.

That is how it is going to go down, that is the truth about love. I believe, that if one day we were to find the answer to our question regarding love, it is going to let us down. I think we are not supposed to know what it is really, it should be something we are constantly trying to find out. It doesn't matter if you are with someone because that person satisfies you in the right way, if that person merely irritates you the least. These questions about love are going to consume us sooner or later if we dwell on it for too long, it is going to eat us from the inside out and the answer is not going to be pretty. I don't think we know what love is, and I don't think we want to know what it is either. If something like love has the ability to be so wonderful and dreadful at the same time, if something like love has the ability to save a million people and to slaughter a million more, I think the world is not ready to know what it is yet. Let it be an unknown, a question mark. Let it be buried, be a constant wonder in our minds. Because at the end of the day, it is not about what love is, but about who you love that is even more important. 


Marche/Balcony Bar

Sunday, April 27, 2008

Marche/Balcony Bar

Kerri, me, and her pretty ribbon.

Happy Jonno! Chelsea, and more Kerri with her ribbon.

April, me, and my lime daiquiri.

Khadi and Naz.
The longest-lasting couple that I know
deserves a picture all by themselves.

Kerri wasn't drunk, 
but already I looked like an ice-cream cone to her.
Kania's accidental impersonation of Naz. 

"I should be so lucky, lucky, lucky, lucky."

Ugly faces. 
Essential of every cam-whoring session.

More, ugly faces. 

Great Sparrow Campaign

Saturday, April 26, 2008

Great Sparrow Campaign

Communist China was made up of a whole lot of campaigns, a variety of nation-wide movement to spurt the country forward in order to catch up with the rest of the world in terms of their rate of industrialization. We are talking about more than half a century ago here, when China was still very much dominated by Communists, when every Chinese were given little red handbooks to teach them the proper conducts, everything from the way they spoke to the way they dressed - everything. One of the many campaigns during that period of time was the infamous Great Leap Forward, a concept thought up by the father of Communism in China, Chairman Mao himself. Chairman Mao is arguably a brilliant man, a man that kicked out the original dictator of China and called himself the ruler of the country with Russia behind his back. Inspired by Stalin's ability to push the country forward in five year increments in such a rapid pace, Chairman Mao wanted his own campaign to push things forward as well, which was how The Great Leap Forward first began. 

The Great Sparrow Campaign is merely a part of the Great Leap Forward campaign, which really was a great leap backwards. Sparrows were eating up the seeds in the country, and the farmers were really troubled by that problem initially. So Chairman Mao thought up a great idea to solve this problem, and that was to encourage the Chinese people to eradicate the sparrows in any way they can. Because sparrows cannot sustain a long flight in the air without suffering from heart attack, the farmers would bang their pots and pans together furiously just to scare the sparrows away. They managed to do that very well back then, and actually managed to nearly wipe out the sparrow population in China along with other "pests" like mosquitoes, rats and whatnot. But the Chinese government back then failed to foresee another big cloud of problem coming their way with the death of the sparrows: locusts. Sparrows are locusts' primary predators, and locusts came one year and wiped out all the crops that they killed the sparrows to protect. So the crops were wiped out, there weren't enough food in the country, 30 million people died from starvation - true story. 

That's a little something that was left out of the history textbook, or even one of Curtis Thomson's informative lectures. I read the above on Wikipedia, I guess I should have studied through that website in the first place, instead of plowing my way through pages after pages of boring text and pictures. It's funny how, when you read about history, the actions of people were based upon lies and stupidity most of the time. These so-called campaigns always come back to slap the country in the face, but the government almost always finds a way to get themselves out of the sticky situation by pointing fingers in a different direction to distract the people from the problem at hand. When the Great Leap Forward failed in China, what did the government do? They blamed it on the West, with no apparent reasons really. Sure, the West has been less than kind to the Chinese, or the rest of the world, but then it's strange and amusing how people in the past just blindly bought whatever the government said. Such a thing doesn't just happen in Communist China though, or in history textbooks. It happens in a liberal country in the present tense too, and we all know which country I am talking about.

Seven weeks after the infamous terrorist escaped from the detention center back in February, he is still very much at large and nobody has caught him yet. For the past seven weeks, nobody knew how the whole fiasco happened, and the government was determined to keep their lips sealed for the time being. All they did was to distribute fliers and posters on the street, calling this man a dangerous person capable of terrorist acts, and then telling us to aid in his arrest without telling us how they themselves screwed up in the first place. A lot has been criticized about the government over the span of seven weeks regarding their lack of transparency, a little something the government here regard as their pride and joy. When the incident first happened, the first thing the government did was to tell the press not to say anything, tell the people involved not to tell anything, and to tell the rest of the country that they will catch the guy. It's week number seven, he's still on the run. The funny thing is, they still believe that the man is still on the island, camped up somewhere. 

A couple of weeks ago, the government decided to release some information about our escaped friend that was supposed to help identify him a little easier. Here's what the government allowed the press to publish, and I am not joking here. Right across the front page was the headline about how the man has a mole on his cheek, as if that is going to make a significant difference at all. It was as good as telling us that the man is a man, has two eyes and two legs, has two arms and has a penis. They have plastered his poster all around the country, I am pretty sure we know how he looks like. A mole identified is not really going to make a difference at all, really, and that was supposed to be a classified secret of the country. What we really wanted to know of the past seven weeks was how it happened. 

Seven weeks later, the government finally decided to give up information regarding the whole escape, but it is perhaps seven weeks too late. It was featured in an article which I didn't bother to finish reading in the papers, simply because of how I felt as if I was being treated like an idiot of sorts. Three critical reasons were flashed out on the front page regarding his escape, and I have already guessed as much without them even being transparent about this whole incident. It just felt as if the government, instead of spending seven weeks to gather enough comprehensive information, spent the time coming up with a plausible story regarding his escape. The "how" really isn't all that important to a person like myself, but I guess the transparency of the government is. In the case of this government, transparency is like a clear window being placed in front of a brick wall - you still can't see anything through the transparency, anyway. 

Like the Great Sparrow Campaign, however, the government is going to blame its failure on somebody else. Blame it on the security cameras that weren't functioning at the time of his escape, blame it on the guards who took five minutes to realize that the water was running for way too long inside the toilet cubicle, blame it on the lousy fences built around the detention - blame everything, but their inability review security measures until it was too late. They point fingers at everybody else, and the people are going to be directed in that direction because the government is supposed to be right all the time. It doesn't matter if the distraction doesn't make any sense at all, the people are going to make sense out of it anyway because humans tend to fill in the gaps, we draw our own conclusions, we believe what we want to believe. 

Conspiracy theorists are like wet blankets at a party, they suck. There are conspiracies floating around about how the government actually allowed the man to escape, or how the man actually died in the prison, and was then told to the rest of the world that he escaped. A lot of these stories are floating around on the internet or over coffee tables, but one thing is for sure regarding this whole ordeal: questions are not being answered, and I guess as citizens that is the least that we deserve. The answers are like the sparrows here, being murdered and killed for a greater cause, a cause that involves the pride of the nation. In truth, the murder of the answers is going to backfire someday, it is going to happen for sure. And when the shit hits the fan, some guys run and some guys stay. Is our government going to stand with their two feet on the ground when the locusts come? 

O.C.D.

Friday, April 25, 2008

O.C.D.

April's nephew is a real piece of work, a young genius who is beyond his years. But like all geniuses of this world, they have temperaments unique to the brilliant minds. It is difficult for ordinary people like myself to understand people like that, why they have to have a certain system in doing things, a specific way of how things should work. Her little newphew isn't even ten yet, and he is already arranging glasses of water to the middle of the coasters on the table. It is a youthful sign of the obsessive compulsive disorder to come, a psychiatric anxiety disorder that is rooted in every one of us in this world in varying degrees. I used to think of myself as a person that is free of OCD though, I used to think that I stood out from all the other people because I was normal. In retrospect, however, there are just things that are blind to ourselves, little things we do in life that are evidences of OCDs. Thankfully, OCD isn't a deadly disease like the bubonic plague or something, and it is rather interesting if we take our time to examine it. 

Before I begin on my own set of OCDs, I suppose I should begin by talking about the OCDs that I have encountered in my life. I remember reading about people who cannot tolerate odd numbers in their lives. For example, the volume of the television cannot be changed to a level that is of an odd number - say, 33. Exceptions can be made for numbers like 35 though, because these numbers are divisible by five, but every other number other than multiples of five and even numbers can never be tolerated. If I am not wrong, singer Kelly Clarkson has that problem, and a few other celebrities that confessed to that problem. Perhaps that is why odd numbers are called odd numbers, maybe the person that dictated these mathematical terms in the first place didn't like odd numbers very much in the first place either. I wonder what would happen if a person like that becomes accidentally pregnant after the second child, and having three children just doesn't feel very right. I wonder, really.

There are other OCDs as well, in fact I bet if you were to make a list of the OCDs in this world, it is going to be able to wrap up an entire skyscraper I'm sure. There is no end to a list like that, and some of these OCDs can be seriously life-threatening in the long run, I'm sure. I have read of people who mentally counts the number of corners in the house before going to sleep, and by that we are talking about every possible corners. The corners of the table, the chair, the television, the shelves, everything. These people go crazy over the numbers, and they are never satisfied by the end of their calculations. They always seem to have a problem with their calculations, so they start all over again and the process repeats itself unto infinity. That is not to mention how there are people who are never convinced by the level of cleanliness in their homes. They cannot stop cleaning, something is always dirty in the house. So they spend their day cleaning the house as well as themselves, afraid to contract some kind of deadly virus in the carpets or something. Now, that's very, very serious.

Thankfully, I don't know of people with such serious OCDs. Most of the people I know have OCDs that are more amusing than disturbing, and they are conveniently labeled by others as being "anal" about things. A particular person I used to know very well had so many OCDs that the mood of the day was practically dependent on it. She was the kind of person who didn't like the idea of stepping on cracks on the sidewalks, and she has to step on the tiles whenever she can. She has to step onto a set of staircase on the left foot, she must stand or sit by the left-hand side of somebody else. She has to sit in a particular seat on the bus, unless a window seat is available. She had a certain way of holding hands with her significant other, with the thumb belong his and never above, and the front side of her palm must face forward rather than back. Those were just some of the OCDs I can remember, and it definitely is a big part of her life back then - not too sure about now, not too sure anymore.

April and I also share a few OCDs regarding our pencil cases. I think April is going to spit foam and die if she checks out my pencil case one day, because it is not one that'd belong to someone with OCD. Amidst the mess, however, I do have my rules, rules that are shared with April on certain levels. For example, our erasers can never be black at the tip, it must be rubbed until all the blacks are gone before being thrown back into the pencil case and zipped up. That is probably why I was rather fascinated by my sister's black eraser, because it took away the need to keep the eraser clean in the first place. I cannot tolerate any pen being uncapped, or if the tips of the pen did not properly retract into the pen itself. It's not so much about the possibility of having the inside of the pencil case stained by the ink, but rather the idea of something that is not kept properly that irks me to no end. But then again, nothing is really kept properly in my bedroom anyway, so I guess this is a case of double standards. 

Here is a confession worthy of postsecret.com, something which not a lot of people know about. I have a thing for clean toilet bowls, I cannot tolerate one that is dirty at all. I have this compulsive urge to clean a dirty toilet bowl, even if it is one that is not my own. It is the first thing that I do when I use a public toilet, to wipe the edges of the seat clean before using it, though others might find the idea of cleaning other people's urine a rather disgusting thing to do. I remember back in last December when I had the bad case of bronchitis, and I was over at a friend's house when my natural reflexes kicked in and I could feel the vomit coming up my throat. So I made a dash to the bathroom, dived for the toilet, opened the toilet seat only to find that it was badly stained by dried urine. I could feel the vomit swelling up at the back of my throat, I could feel my lips parting for the vomit to come out. But instead of just letting it all go, I swallowed it back while I tore a piece of toilet paper from the roll and started wiping the edge over and over again until I was satisfied. That was when I allowed nature and gravity to take hold, that was when I comfortably puked into the toilet bowl - that sounded strange. 

Anyway, that's just one thing. I have an obsession with clean toilet bowls, but I guess people do have a thing for cleanliness too. Here's a little something about me that not a lot of people know about either. I have OCD when it comes to naming the song files in my computer, a certain standardization you might say. You know how it is with downloaded files, they don't usually come in proper forms sometimes. Titles that are not properly capitalized, spaced, or even spelled. Sometimes you get songs that have numbers at the front, underscores, hyphens, random dots, or a ridiculous amount of slashes. It is made worse sometimes if the order of the songs are not properly done, when the album names are not properly typed, everything. Little things like that can piss me off to no end as well, and I really take the time to make sure that everything is in accordance to my satisfaction. That is not to mention the proper artwork for every album, and that is something I am still working at. 

When it comes to mandarin songs, however, things become a little more tricky. I don't have a lot of those in my iTunes library, but the ones that I have follow a strict set of standards as well. When it comes to Chinese characters, it is generally divided into traditional chinese and simplified chinese, with the latter being a little newer and more widely used. Most countries in Asia right now subscribes to simplified chinese because it is, well, simpler. Traditional chinese is probably used only in Taiwan (and maybe Hong Kong, I'm not sure) right now, because the rest of the mandarin speaking population have grown lazy when it comes to writing the language. The truth is, simplified chinese just looks ugly as hell for some reason, it takes away the original form of beauty that the language had originally. The language has been officially bastardized by the Chinese government, so shame on them. Anyway, my mandarin song titles have to be in traditional chinese, not anything else. Simply because - it looks better.

The same standards go to my video files as well, the movies have to be properly titled and the live concert videos properly dated. Even my DVDs are in alphabetical order, something which is rather geek but I am really proud of. In any case, I guess each and every one of us have our own OCDs, our little preferences that are there without a rational reason whatsoever. Our lives work better that way somehow, smoother and with much less hassles. As long as it is not life-controlling, I say why not? I guess these so-called psychiatric anxiety disorders make us that much more unique, that much more different from everybody else. 

In Our Bedroom After the War

Thursday, April 24, 2008

In Our Bedroom After the War

Wake up! Say good morning to that sleepy person lying next to you
If there's no one there, then there's no one there, but at least the war is over
It's us - yes, we're back again, here to see you through, 'til the days end
And if the night comes, and the night will come, well at least the war is over

Lift your head and look out the window
Stay that way for the rest of the day and watch the time go
Listen! The birds sing! Listen! The bells ring!
All the living are dead, and the dead are all living
The war is over and we are beginning...

Gridlock on the parkway now, the television man is here to show you how
The channel fades to snow, it's off to work you go, but at least the war is over
She's gone, she left before you woke, as you ate last night, neither of you spoke
Dishes, TV, bed the darkness filled with dread, but at least the war is over

Lift your head and look out the window
Stay that way for the rest of the day and watch the time go
Listen! The birds sing! Listen! The bells ring!
All the living are dead, and the dead are all living
The war is over and we are beginning...

We won, or we think we did, when you went away, you were just a kid
And if you lost it all, and you lost it, we will still be there when the war is over

Lift your head and look out the window
Stay that way for the rest of the day and watch the time go
Listen! The birds sing! Listen! The bells ring!
All the living are dead, and the dead are all living
The war is over and we are beginning...

Here it comes! Here comes the first day! Here it comes! Here comes the first day!
It starts up in our bedroom after the war
After the war! 
After the war!

Nicholas White

Nicholas White

Friday, October the 15th, 1999. Nicholas White is working overtime in his office located on the 39th floor of the McGraw-Hill building with his colleagues when he decided to head on downstairs for a smoke. It must have felt like an ordinary night for Nicholas, just another night spent in the office while pouring over endless papers and trying to make ends meet in the late hours of the night. Nobody likes to work overtime I am sure, nobody likes to be stuck in an office with the rest of your work team without the comfort of your bed or a good night's sleep. So Nicholas grabbed his packet of cigarettes and headed down onto the streets below for a smoking break, trying to suck in as much fresh air as he could before going back upstairs to continue with the rest of the dreadful night. He flicked the end of the cigarette onto the sidewalk and extinguished the tiny flames with his shoes, the soft sighing of the butt faded under the pressure of his weight. It still felt like a normal night to Nicholas, and anybody else would have felt the same way as well. In truth, however, this overtime at the office is going to be Nicholas' longest night in his life.

He strolled back to the lift lobby and pressed the button for the elevator to arrive. It must have felt slightly liberating to be standing in the middle of the lift lobby alone in contrast to the normal bustling crowd in the early mornings. Nicholas pictured the entire building being owned by himself, a harmless fantasy for an average office worker such as himself. Nicholas was a 34-year-old New York production manager, and if nothing has happened in his life big enough for him to own a building thus far, it probably won't happen anytime soon. Nicholas has dreams like that, these are the kind of thoughts he entertains himself with while waiting for his bladder to drain at the urinal, while waiting for the light to turn green at the junction, while taking an elevator back up to the office after a cigarette break like what he did that very night. The numbers on top of the buttons flickered with every passing floor, and it was at the 13th floor when Nicholas realized that the ventilation fans in the ceiling lights stopped operating. The elevator stopped traveling up as well, dangling there in midair in the middle of the shaft like a pendulum that doesn't swing. Nicholas pressed the emergency button for help, but silence and static greeted him on the other side of the machine like a bad Halloween prank. He was stuck in the lift on a Friday night, and he is going to remain that way for the next 41 hours. The worst part - it is based on a true story. 

Nicholas White was an actual person who worked overtime on that fateful night with his colleagues, an actual person who got stuck in the elevator for a grand total of 41 hours over the weekend with no food, no water, and no way of contacting the outside world whatsoever. It sounds like a worst nightmare coming true, to be trapped within a confined space for almost two days, it's kind of like being thrown into the isolation cells in the prison somehow. Because the entire building was vacant over the weekend, Nicholas was forced to remain in the elevator for the entire duration of time, all the while praying for somebody to hear his call out for help, or perhaps notice the abnormalities in the lift that he was in. Eventually, Nicholas made his way out on Sunday afternoon, but his harrowing experience was never fully told to the world until now, when the surveillance footage of Nicholas trapped in the elevator surfaced over the Internet and caused quite an uproar. 

It looked like the extreme social experiment, and he sort of looked like a laboratory rat while being inside the elevator, prancing about and just waiting for somebody to rescue him. It was amusing at first when you see Nicholas just leaning against the back of the lift and waiting for the lift doors to open. But as the hours dragged on, his patience gave way to desperation, and then to intense fear. The strangest thing was, maintenance workers came in over the weekend to check up on the other three elevator, but nobody ever noticed the stranded man or the malfunctioned elevator. From the video, you could see people moving in and out of the other three elevator doors, shifting their ladders and checking the lifts one by one. It's strange how none of them actually noticed that one of the lifts wasn't moving at all, and how none of them bothered to check out the problem either. Nicholas was trapped like that, with a pack of cigarettes, over the weekend and alone in a small dark place. 

I saw the video online a few days ago and felt rather disturbed by the whole ordeal, experienced by a man whom I have never met. I have been stuck in elevators from time to time, but then never longer than a minute after pressing the emergency button. More than the thought of being trapped inside an elevator for 41 hours, I was even more disturbed by how ignorant and neglectful humans can be, how we have all created these little separate spheres around ourselves and blocked everybody else out. It seems to be the case now, the way we have been so separated and so divided from one another in this world, so much so that we do not even care or bother with the life of a man dangling from the steel cables in the elevator shaft. We are so self-absorbent, concerned only with what we are doing and what we are going to do. It's difficult to reach out to people right now, because distances are growing further and further apart. We have too many things to worry about, too many things on our minds to even consider the existence of others around us. We let things like that happen, because we have been detached from each other and then swallowed up into a world of our own.

My transit card ran out of money yesterday morning, which meant that I had to trouble my mother to give me a ride to the station. I had a paper later on in the afternoon, but I caught the early train to school anyway, since I wanted to take my time about traveling. The train was not exactly packed up as it would be at peak hours, though all the seats were already taken up by fellow commuters all around myself. I was leaning against a pole in the middle of the carriage then, just watching the rest of the passengers while thinking of the video I just saw in the morning before leaving the house. And then I realized, in that moment, why things like that can go by unseen by the public, how it is possible for a man to die on the train and no one to realize that. It is the way we have been consumed by those little gadgets that we carry around, robbing us of the human touch that is really the basis of anybody's emotional survival in this world. 

Everybody had a little something to kill their time while on the train. The young punk seated in the corner of the carriage was pounding his thumbs all over the buttons on the PSP, slaying monsters and then trying to execute the moves with spectacular pixelated magic. The businessman to my right, buried himself in his PDA as he read e-mails, replied to text messages, ran through his contact lists, replied to even more e-mails. Most of the other people had earphones plugged into their ears, their eyes were closed as they subtly bobbed their heads to the music that blasted through their eardrums. It was not difficult to tell how the people so naturally positioned themselves away from one another, as if there were foot holds in the floor for people to fit their shoes in. They were all standing with their backs to one another, trying to maintain a certain comfort distance from a random stranger, trying to stay as far as possible from that other person. 

I imagined to myself, what must have been going through those people's minds. That man, that man is sneezing his nose off. He must be sick, is the flu contagious? What is that smell, it smells like rotten tuna and armpits, stay away from me old man. An empty seat! How nice! I need to get there first before anybody else, I need to pretend to be sleeping because I don't want those puppy-looks from old folks or pregnant ladies when they board the train without available seats. Look at me slash these monsters, take that you imp of the underworld! I shall banish you into hell with my sword! Take that! I like the music that I am hearing, it gives me something to think about when I am on the train. It's four stops away from my station, I hope that I can get off soon enough, the man next to me is sitting too close. I better look the other way, I don't want to have eye contact with anybody on the train, how awkward! That seat was supposed to be mine, that selfish bastard! He dashed as if it was a matter of life and death! I'm pregnant, I'm pregnant! Is it so hard to stand for fifteen minutes? I need to sit down, somebody? Anybody? No one, surprise surprise. That boy is looking at me, I hope he doesn't try to start a conversation, he doesn't look very normal, and I'd feel embarrassed. Leave me alone, just like that, just like now. Leave me alone. Leave me alone. Alone. 

It's this way on every train, in every country, around the world. Not just on trains, but it just feels like people have grown apart over the years somehow. They say that we are only fractions of the souls that belonged to our ancestors, if the theory of reincarnation is true. If you look at it from a purely mathematical point of view, our population has increased a hundred and thousand times over the years, and does that mean that we are merely a part of the original souls of the past if reincarnation is indeed true? Is that why we are so separated in this world, so segregated, so ignorant that we can turn a blind eye to a man being stuck in the lift for 41 hours? It's sickening to know that this thing that we share in between humans, the camaraderie of being the dominant species, is being taken for granted and forgotten by so many people. It becomes hard to reach out at first, and then it becomes a complete isolation, and who knows what is going to happen afterwards? 

It's as if we are all taking our own invisible elevators now, closing and boxing ourselves up like a clam. We mind our own business, we enjoy the times of solitude and in complete ignorance of others. It's interesting at the beginning, but then it gets a little boring after some time, then it becomes lonely. Loneliness then gives way to fear, then terror, then the unknown completely consumes you like a hungry beast. People are all trapped within our own stranded elevators in the long dark elevator shafts, it's just that some of us are still waiting for someone to rescue them, while others have already settled down and accepted that they are going to be stuck there for a very, very long time. At times, all we need to do, is to press the "Open" button for the world to come in, and for you to get out. It's a natural law, it's how things work. We can never live within ourselves - forever. 



Eventually, Nicholas returned to his job, his office, his desk. The chair was still in the same place, his jacket was still hung on the back of the seat. His briefcase was still leaning against the side of the table underneath, but little Post-it notes now covered his computer monitor screen. They were left by his colleagues on Friday night, the night that seemed so far away from where he was. They were angry and hateful words from his colleagues, after he failed to return from his cigarette break during overtime that night. They thought that he slipped away, they thought that he left the job to them and snuck back home. But none of them noticed the man trapped in the lift either, nobody noticed that Nicholas' briefcase was still in the office, and couldn't have snuck home without it. Nobody noticed, nobody cared.

Spring Semester 2008 - Ends

Wednesday, April 23, 2008

Spring Semester 2008 - Ends

So it goes, it is the end of yet another beginning. With the spring semester coming to an end with the final examinations finally over on my part, there is an absolute sense of liberty but at the same time, frightfulness. It is difficult to explain the latter, but it's probably the idea that we have come to yet another end of a new beginning, and it has already been a year since my college life started in May last year. It has been a strange year, with relationships coming together and falling apart, and that is just one of the many troubling thoughts that have been rolling through my mind ever since the studying session over at Kerri's came to an end, when the lights in the room was darkened and the lot of us quietened down to steady and rhythmic snoring - save for me. It felt like the last night of my stay overseas in a foreign country, and at the same time the very first. I had the overwhelming urge to go home, but at the same time the sofa and the blankets smelled differently, making it difficult for me to fall asleep completely. Kania, as amazing as she is, switched herself off and was asleep in seconds. 

So the finals have ended, and I must say that it turned out a lot better than I originally expected. After the dismaying mid-terms just a few weeks ago, the failure probably struck me in the face with a newfound motivation  and drive. It has been a good last day, an awesome week, a grand finale. The papers were not altogether easy, but at least I was able to breeze through most of it all unscathed. I came into this exam period hoping for the best and expecting the worst, but I guess I should be glad and thankful that the latter never managed to catch up with me. I am unsure of how the finals are going to affect my overall grade, if the sudden turn of the tide is going to make a difference to anything at all. At this point, however, I don't think I care anymore. I have tried my best, we have tried our best, in the small living room on the second floor of Kerri's house, and I must thank those people for motivating me, the way we forced each other to stay awake all through the night, and those discussions surely helped immensely today for UGC. Thanks for making it happen, things wouldn't have turned out half as pretty if I were to study alone last night. I wouldn't have been able to do it without you guys.

It was all about the last burst of energy last night for the lot of us, putting our heads together and trying to brainstorm for possible questions that'd be asked for the UGC paper. As the lot of them discussed about his lecture materials, I merely sat in the corner and tried to absorb as many things as I possibly could, all the while fighting the temptation of succumbing to my exhaustion. I never believed in studying in groups, but then desperate times called for desperate measures. The historical figures were swimming around my head, dead people coming back to life in between the pages of the textbook, not to mention the blank stares and the cold hard looks in the pictures taken over half a century ago. I am glad that we picked Kerri's place as the place for our final countdown, because everything about her house worked. Everything from the silence, to the air-conditioning, to the lack of distractions - save for the dog. Everything worked last night, and the dinner to Holland Village was satisfying to say the very least. There is something beautiful about the simplicity during examination period, the singular goal shared by a group of people in this period of time. Life is less complicated, it's all about the books, and only about the books. Things were simple, and I really liked it like that.

I remember lying in bed and listening to the conversation between Jonno and April about cars, something about paint jobs and modifications. When the lights went out and the room grew quiet at four in the morning, thoughts came into my mind about the past semester and how it has been treating me. I guess I have been lucky, very lucky, but in a way I felt a growing distance between myself and the rest of the world, no one in particular. I guess it is the kind of feeling you get after working together with a group of people in close proximity for a long period of time. There isn't anything wrong with them, or what they are doing really. You just want to  break away for a while, to allow some space for yourself. Perhaps this is the "I" side of my Jung's Typology Test kicking in, but that is how I operate I suppose. I am a slave to dialectic tensions on a regular basis, a constant war wages in my mind all the time. A note to add, I really have to get these terms out of my head in order to zone myself out completely for the rest of the holidays, they are not going to do me any good I swear. 

In a few weeks, we are probably going to be checking our grades online, and all I am asking for now is to not have my expectations reach a level that is unattainable even in my own terms. Just allow things to happen if they should, just let things fall into place on their own accord. In between that, I intend to hibernate myself, to turn my brain off. I think that'd be a welcoming change, to spend some quality time away from my day job for nearly a month, to just snuggle up in bed to watch movies after movies, albeit a little anti-social and lonely. It still feels like I have things to do, even at this point. It is probably the hangover from the weeks of studying, the punishment that I have been giving my brain for the better part of the semester. I cannot wait for the sensation of the holidays to officially kick in, but at the same time I don't want this stillness in the air to leave either. You know, the stillness you feel on your way home from the last paper, the stillness you sense when you step into your own home and feeling your own bed, when tension has reached its very peak and you know that everything is going to be better after that. It's the part before your let our a long sigh, the moment before the plunge. Oh, the feeling.

So, this blog is back in full operation. I shall be posting entries that I have obligatorily placed aside because of the papers. Thank God for Stickies in Macs, I can't imagine myself remembering anything for too long a time. Be sure to check back for more updates, though I do not know what you guys, as readers, find interesting about ramblings in my daily life. I suppose, there is a certain intrigue in the lives of others, the way we feel a certain connection with someone else because they are equally unique. Equally unique, interesting. I like the sound of that. Hold on, Summer semester. It is not your turn to settle in yet. Give me a few weeks, let me find myself again. 

The Finals

Tuesday, April 22, 2008

The Finals

Due to obvious reasons, this blog shall not be updated as frequently as usual until the examinations are over. This is going to be a temporary thing of course, I just don't want my passion to come in between itself and those good grades which I am still trying desperately to achieve. I have gathered so much to say over the past couple of days, the times spent in front of the computer listening to Unwed Sailor and Clint Mansell, just in a state of reflection and evaluation. Anyway, the finals will be ending on Wednesday, so expect entries to come flooding back in from then onwards. 

Until then however, I do sincerely apologize for the lack of entries. It is going to be ephemeral, so do check back after Wednesday for more updates. Wish me luck for the rest of the papers! 

W.

Big Willie Style

Monday, April 21, 2008

Big Willie Style

There is more to this world than "Boom Boom Boom" music, as Sherry would conveniently tell you. By "Boom Boom Boom" music, Sherry is talking about hip-hop music, something which she is still trying to get to the bottom of, if she is even trying at all. Because hip-hop music is a realm that is an enigma to her, as well as a lot of people out there such as myself. Underneath the sound of the deep bass and the drum beats, underneath the monotonous vocals and the lyrics that are always in a mumble, I have tried to figured out the closeted meaning beneath it all, I have tried reading in between the lines and the rhymes. But most of the hip-hop material that came out after the year 2000 doesn't make any sense anymore, no matter how you try to make sense out of them. One of these days, I am going to ask Chelsea what she sees, or hears, in those angry lyrics about meeting women in the club and then bringing them home for a one night stand. You are not going to hear a song about what happens after that night though, not going to hear about accidental babies and all those kind of troubles that come along with bedding a man who refuses to use protection while being half drunk. 

Over at Digg.com just last night, I was reading through a list of the worst rappers that ever existed in the music industry, ever since the 'art' of rap first started. I saw the name "Chingy" on the list, and the reason for him being on the list was because "this guy's beats are terrible and his lyrics are stupid, degrading and barely literate at best". Well, I thought to myself, I don't remember the other songs with very different beats and lyrics, and not to mention the degrading nature of a lot of hip-hop songs out there. Given, I don't know the genre of music very well because I have stayed away from its influence for so long. But then again, perhaps there is a reason why I have refused to pollute myself with the kind of material they play over the airwaves, perhaps there is a reason why I quitted listening to the radio four years ago and have not tuned in to a single radio station ever since. It is a genre of music that is not just a cup of tea that is not of my particular liking, it is a cup of tea that makes me feel depressed about the mainstream music industry. In fact, this genre of music is probably the only reason why I would agree with my sister that the English music industry does have its rotten music. It's that bad, to me.

But hip-hop was never the kind of music that I despised, or even rap music. Here's a big confession to all those who doesn't know me well enough: I used to listen to rap, a lot of it. It was back in the 90s, I'm sure the lot of you remember it with fond memories. It was when every genre was changing in a way that it distanced itself from the 80s. Everything was a little different, something happened when the clock struck 1200 on the first day of 1990, and every genre of music went through a transformation somehow. Rock was a little different, disco music became a little different, hip-hop music became a little different. The rock bands that used to write anthems and performed in giant arenas gave way to bands like Nirvana, the kind of bands that was born out of the garage down the street. Things were different back then, but it is strange - and a little sad - how eight years into the 2000s, and we have yet to define this decade yet. I wonder what people are going to think about thirty years down the road at this decade in music, if they are going to take anything away from it at all. I can't imagine anybody looking back and thinking "Wow, thirty years on and 50 cent is still this good!". I don't see it happening. 

Anyway, the 90s was great. It was when I moved away from my sister's influenced on boybands like the Backstreet Boys and N'Sync, when I needed a musical identity for myself in the household. My sister was defined by Chinese pop bands and those boybands, my mother was defined by classical music and opera, while my father was defined musically by his lack of musical identity, if that makes any sense at all. And as for me, I wanted something different from the rest of the family, something that was going to trigger my face when they hear a certain kind of song with a certain type of beat. So I affiliated myself with rap music, and it was all about rap music back then, nonstop for the most part of the day. It is ridiculous enough for a white man trying to rap, but I bet you have never seen a 13-year-old Chinese boy rapping in his bedroom. I didn't even know what in the world those rappers were rapping about, I didn't even have internet back then to look things up. I was making up lyrics as I went along with the beat, bobbing my head up and down to an invisible audience and a fist cupped around my mouth to simulate a microphone. You can stop laughing now.

I listened to a lot of different kinds of rap back in those days, the days when 'gangsta' rap was still youthful and young, when Eminem was still writing lyrics on the back of his right hand - he is a left-hander. Those didn't appeal to me, however, because the people in those songs were always pissed off for one reason or another, and all they wanted was to have sex or kill somebody with a gun. They all had a lot of problems, 99 problems to be exact, and there were not a lot of ways to solve those problems either. So a lot of them came together and wrote verses to songs and try to make them rhyme like poetry, but you don't recite these words like poetry - you try to fit them into a certain drumbeat in a monotonous voice. It was refreshing at the beginning, but I got tired being pissed off and angry all the time, you know how emotional contagion works. Then, right out of the blue, somebody's rap music caught my attention and it became the reason why I loved rap music - Mr. Will Smith. 

I was trying to study last night at two in the morning, but at that time of the morning nothing was being absorbed very well. A wave of nostalgia came over me like a warm blanket, and all I wanted to do back then was to look up all the old Will Smith music videos, and that really felt good on my part. It is something I don't exactly tell a lot of people about, but Timothy back in high school probably knows because I introduced his music to him and he loved it back then. I remember those after school days when we used to stay in the classroom and try to learn his rap, and we both ended up looking like idiots to the rest of the class. But they didn't understand, nobody understood how cool rap was. It was cool, and with Will Smith it was even cooler. Rap fans are going to look at me now and probably go "What?", with the drawn out "a" in the middle. It's true, not a lot of people are going to associate him with rap music for sure. People nowadays are going to see him as the alien-busting, zombie-killing, robot-fighting Hollywood actor that got nominated for a few Oscars. Maybe if you are a little older, you might remember him as an actor in the Fresh Prince of Bel Air back in the late 80s and the early 90s, but him and rap music? At least in the Asian context, Will Smith and rap don't come together in the same sentence.

But his music was good, and it is still very very good. They don't make rap music like that anymore, and here is a man who proved that you don't need to be angry to make good rap music, or curse as if you are using those words as punctuation in your songs. A rap can be about a city that you love, the feeling of cruising down the road in your car, or just something about your beloved son. No clubs, no drinks, no bling, no sex - it's all about the music now. In fact, not a lot of rappers, or singers, have the ability to come up a title that doesn't make any sense at all, and still make me love the song anyway. Seriously, what does "Gettin' Jiggy Wit It" means? The spelling is all wrong, and it doesn't make any sense! But nobody cared, I didn't care. I loved every bit of that song, and I still love that song immensely even now. Everybody knows how the song goes during the chorus, everybody knows how to sing to "Na na na na na na na/ Na na na na na na" in that song, but not a lot of people are going to remember "Ella, ella, eh eh eh" in a few years, I bet. 

They don't make rap music like that anymore, or music - period. This is how you can be a famous producer in today's context, however. You don't need to write good lyrics, you don't need to rap at all. All you need to do, is to take somebody else's song, add a cool hip-hop beat to it, yell "Hey" in the background and then you will get featured before the name of the original artist that sang that song. That is how things work now anyway, you don't need a talent to be famous. You just need to yell "Hey" in the background to get a platinum record. So here's a trip back to the old days when rap music was still good, when the Big Willie Style ruled. Let's go back to the time when it was possible to enjoy rap music, when things were less aggressive and more, well, good. 

Gettin' Jiggy Wit It


Summertime


Boom Shake the Room

Alicia Witt

Sunday, April 20, 2008

Alicia Witt


I've been watching your world from afar, 
I've been trying to be where you are, 
And I've been secretly falling apart, 
I'll see. 

To me, you're strange and you're beautiful, 
You'd be so perfect with me but you just can't see, 
You turn every head but you don't see me.

*

I can look at this picture forever. 

The Bank Job

Saturday, April 19, 2008

The Bank Job


I love heist movies, they are my second biggest guilty pleasure after monster movies truth to be told. There is something so intriguing about a bunch of ordinary men trying to break the rules and earn some quick bucks. So when I came upon The Bank Job a few years ago, I was really interested in watching it. I don't recall any heist movie as of late that has let me down, maybe just the one with Robert de Niro and Edward Norton called The Score. Everything else like the Ocean's movies, The Italiah Job (which has nothing to do with this film by the way), they have been satisfying films worthy of the title "popcorn flicks". They don't have to be Oscar-worthy, or filled with an all-star cast or snappy dialogues. All you need is a clever script, a good heist, and a bunch of twist and turns towards the end of the film to keep me entertained. The Bank Job is not only a heist movie, it is a British heist movie completed with British accents and British vulgarities - which I love. Besides, it features one of the best looking bald man ever - Jason Statham. Let's admit it, nobody cares if he is balding at the back of his head. 

The Bank Job opens with a sex scene, an important one that is really the pivotal moment to the whole film. Based on a true story that happened in 1971, a certain royalty was caught having sex with two other men in a hotel room by a drug lord who calls himself Michael X. He was later arrested by the authorities in England, but they cannot do anything to him because he has the pictures stashed in the vault of a local bank, and would threaten to release those pictures if anything is being done against his interest. So the government needs someone to get into that vault, steal those pictures without that someone knowing that the government has anything to do with it with the whole operation. When a ex-model, Martine Love (Saffron Burrows), is found with drugs in her suitcase at the airport, the only way for her to clear her name was to work for Tim Everett (Richard Lintern), the man in charge of finding a team to rob the bank. Through Martine, he managed to recruit a group of ordinary men who wish to do something extraordinary, despite the obvious lack of experience. Leading the pack was Terry Leather (Jason Statham), along with a couple of his best "mates" to pull off the job, despite not knowing the true reason behind their robbery. 

The trailer to this film is misleading in the sense that it gives you an illusion that this film is going to be one of those happy-go-lucky heist movies about how a bunch of amateurs getting away with their million-dollar loots. At least that has been the cast for most of the heist movies these days, just a fun ride with a lot of money involved. The Bank Job, however, is quite different from what you see in the trailer because the main plot of the story is actually quite dark, filled with political conspiracies and whatnot. This film focuses not so much on the heist itself for the most part, but the aftermath of the heist and how it affects the team of robbers. One negative aspect of the film was probably how the director failed to grasp whether or not he wanted this film to be a feel-good movie or one that is dark and grim. In the end, you get the first half of the film being a comedy, while the second half feeling like the edited footage right out of The Godfather or some random mob film. The confusion in style was something that I had to get used to especially after the politics started to kick it, but the pace of the film kept the excitement level high, not to mention the score for this film helped with the adrenaline as well.

What this film accomplished was to weave together a series of different subplots into a neat stack. That is to say, when dealing with multiple story lines intertwined with one another, a lot of filmmakers either compromise on one of them, or fail to tell both stories very well altogether. More often than not, one plot would be given more emphasis than the other, causing the plot to cancel each other out and the audience left detached from the film altogether. The Bank Job, however, very successfully weaved together a couple of plots and produced a film that is surprisingly cohesive. Everything from the planning of the heist, to the execution of the heist, the getaway, the political aspect of the film, the intervention of the pornography filmmakers, everything was done right in my opinion. 

The film does not deploy the kind of twists you would expect from a heist film, at least a conventional one these days. It is pretty straight forward, and the point of this film isn't really about how they get into the vault, but how they get out of the tight situations that came swiftly after. The aftermath of the heist involves a particularly gruesome scene which I found to be painful to watch, especially after how well the director manage to invest a lot of time in making the audience like the characters. I shall not spoil it for you guys, but let's just say even the directors of Saw are going to be very impressed with it. Not only did this film have a surprising amount of gore in that one scene, it also had a lot of nudity involved. Not that I mind, but I guess I just wasn't prepared to see full frontal nudity in a heist movie. 

Performance wise, it was a decent job across the board. Saffron Burrows has a strange beauty in her I realized, and the droopy eyes did catch my attention when she first appeared on screen. But she is way too skinny, which was what turned me off a little. For better for worse, Jason Statham has been officially type-casted as the tough guy in all his movies, bringing down bad guys with a flying kick or just being on top of the game in every difficult situation. It's not a bad thing of course, since he is a joy to look at while he flies across the screen from left to right and then back again. Especially in a heist movie, you want a character which is easy for the audience to root for, and Jason Statham's character definitely is somebody you want to be on your side. The other cast members are mostly unknowns, but then that is what makes this film so refreshing in a way. Forget about Julia Roberts, George Clooney, Brad Pitt, Matt Damon, or other people of the Ocean's team. These no-names can rob as much money as them even if nobody knows who they are anyway. 

Like I said before, this film is actually based on a true story that happened in England more than thirty years ago. Due to the fact that it involved a member of the royal family, any investigations into the case was ceased and the press was not allowed to cover the story back then. Even until this day, nobody knows what really happened during the "Walkie-Talkie Heist", or who the member of the royalty was. This film is merely an attempt to give an insight into what might have happened thirty years ago in that bank, and what happened subsequently afterwards. While this may not be the most accurate account of things, I feel that this is definitely the most entertaining and satisfying version yet. 

The Bank Job is a fun movie, it doesn't try to be anything else that it isn't. Other than the strange confusion of style and the amateurish score, I have little complaints about this film. It was excited, well-paced, and very engaging throughout. The director doesn't allow the attention of the audience to falter for a minute, always keeping the tempo very high throughout even the downer scenes. Perhaps we can move on from the type of heist movies that are bigger than life, and focus on the ones that can happen in the bank around the corner right next to a fast food joint. 

8.5/10

Father Speaks Out

Friday, April 18, 2008

Father Speaks Out

This is a man who knew what he was talking about.

A Vegan's Butcher Shop

A Vegan's Butcher Shop

If you are a tourist traveling to Singapore, it'd be wise to check out the amount of things that are banned here before packing up for the trip. Everything from a pack of chewing gum to pornography, or even a pack of untaxed cigarettes may cause you to be slapped with a ridiculous amount of fine, or worse. It's true that anything can be banned in Singapore for the strangest reasons, just like how chewing gum was banned in Singapore because inconsiderate people used to stick them on public benches and in between the sliding doors on MRT trains. So the government decided to ban it altogether, and has thus become the butt of every nation around whenever they talk about it. It is quite amusing if you think about it, if you are staring from the outside in of course. There are, however, more than just chewing gums or firecrackers that are banned in Singapore. In actual fact, the whole media industry is basically a carefully controlled greenhouse, with the temperature and the humidity cautiously calibrated. The whole country is like a giant self-contained island with a few governmental figures deciding for the people what they should or should not eat, what they should or should not breathe, what they should or should not watch. 

At the root of it all, the Media Development Authority is in charge of everything. The MDA takes charge of what films and music comes into the country, what gets published in the newspapers and basically anything to do with the control of mass communication. The media is a powerful tool, and it has been aptly used by every powerful dictator in the history of mankind to spread their beliefs and philosophies, which is what the Singapore government doesn't want. It is fair enough in the context of this country, since the current government is doing a fairly good job at keeping everything in order, and thus the people are not complaining about the greener grass on the other side - because this is the side of the fence with the greener grass and the better view. This control is necessary and crucial to what Singapore is today, this is why it has changed from a developing country into a very developed one in less than half a century. Still, if you take a look deeper into some of these controls the government has implemented, this country is actually moving backward instead of forward. 

Recently, the MDA decided to hold its own film festival, much like the other countries around the world with their major film festivals as well. Cannes, Berlin, Sundance and whatnot, people take these film festivals as yardsticks for films everywhere. If you see the names of these film festival on a movie's poster, then you know that this movie is of some standard at the very least. Singapore has been aiming at being the cultural 'hub' of the region, one of the many 'hubs' it has been trying to become over the years, and the Singapore Film festival is merely part of the effort in achieving that goal and turning it into a reality. Naturally, if you are organizing a film festival, films that do not usually make it into mainstream cinema gets screened here, and more often than not you are going to find a few controversial films here and there that are going to trigger a debate or two amongst members of the audience. Just recently, four documentaries were banned from the film festival because of their contents, an act of the MDA which I find to be contradictory to their aim at being the so-called "cultural hub of Asia". 

The films that "exceeded the Film Classification Guidelines" were provocative in the mildest sense, I feel. Arabs and Terrorism and David and Tolhildan, two of the films that were banned, were banned because of their "sympathetic portrayal of organizations deemed as terrorist organizations". Because of such a content, these documentaries were barred from the shores of Singapore and thrown back to the countries where they came from. This is the part which I do not get, since I am not quite sure of what's wrong with seeing things from another person's perspective. I am sure the viewers of these documentaries are not going to be gullible ten year olds from grade school, but film lovers and critics from all around the world. I am sure they already have their own perspectives regarding terrorism, so what is wrong with seeing things from their side of the world? In this age and time, terrorism isn't all about the flag you stand under, but rather the kind of things you do in the name of the country or religion you come from. It's just rather confusing and amusing at the same time, to see how the government tends to treat its citizens like children, children who cannot think for themselves. "What we think is right for you, is right for you" they seem to be saying. 

Another two films called A Jihad for Love and Bakushi were also banned. Of course, for the previous two films, you can always argue that there are stupid and exploitable people out there who are going to swallow the messages of the film like shots at a bar. But A Jihad for Love is really about the life of homosexuals living in a Muslim community, and I seriously don't see what the problem is at all. I don't see why a film that portrays the difficulties of homosexuals living in a strictly Muslim country can have the capacity to tip the cultural balance in this multi-racial society. I think that it, in contrary, promotes a better understanding to these minorities in a very conservative society, and should be shown to the public - at least at a film festival, right? Bakushi is a film about Japanese sexual culture of bondage, which I find to be strange as well. I mean, why keep a hush-hush about things that we already know very well about. I mean, fetishes are merely part of who we are as humans, and I'm not sure why a documentaries about one of them is going to make any difference at all. Sure, tying your partner up during sex and then pour hot wax over them is very unnatural. But if it is voluntary, if it is consented, if it happens within the confines of a bedroom, then why should it matter to anybody else? 

Films get banned in Singapore for the strangest reasons, even if they have the best of all intentions. American History X, despite the moral of the story being against racism, is banned in Singapore because of how the character made racist remarks about the black community in America. Requiem for a Dream, despite the fact that it actually scared many drug addicts in America out of taking drugs, is banned in Singapore because of the amount of drugs used in the film. Other films like Pulp Fiction and Brokeback Mountain are banned in Singapore as well because of scenes that involve anal sex scenes, which are really just scenes with men banging their butts together for the most part, you don't even see a hint of genitals. It's strange how imageries such as two men having anal sex cannot be shown in Singapore, although we all know what they are doing in the first place. It's like censoring a word in a song you hear on the radio, which I find to be completely pointless since we all know what the word is. It defeats the purpose of censorship altogether, I feel. Films like Requiem for a Dream are shown in schools across America as a cautionary tale against drugs, and there has been a lot of people have been affected by the film so much so that they have stayed off drugs for life. I don't understand why such a beneficial film should be disallowed to the general public in Singapore.

Try to picture the boardroom meeting at MDA, with a whole room of people going through new films and trying to decide if they are going to be allowed in Singapore. I bet they are all really old people who cannot accept or allow films that have a hint of controversy, or if the film strays too far away from the norm. They want normal films, films that people usually like to watch on Friday evenings, not experimental ones and the ones that attempt to break the third, or even the fourth wall. They are scared, afraid that the public are going to be put off, or affected by potentially detrimental messages in the films. But seriously, haven't our parents told us to go out and play in the yard in the past? Go catch shrimps at the river, go roll about in the mud, go kick a soccer ball in the fields, get beat up and bruised. Our parents have told us to do such things while we were young for a reason, because children need to get out of the house every once in a while. Putting them in the house in front of a book is not going to do them any good in the long run, and the same can be said about controlling how these media are flowing into the country. These films do not promote racism, these films do not promote drugs. These are cautionary films that preaches anything but racism and drugs. When are these old men in the boardroom going to realize that fact?

Just last week, Starhub - the cable network television provider in Singapore - was sued for showing two girls kissing on television in a music video. $10000 was slapped into their faces for showing that clip that lasted for seconds, on a channel that not a lot of people watch in the first place. Bare in mind that the two girls were fully clothed, and it was just a harmless kiss on the lips. I'm not sure what is wrong with something like that, especially when we are living in an age whereby such things are already regarded as being normal, and a part of our lives. Pick a dark and shady stairwell in an all-girls school and you are going to find two schoolgirls making out anyway, so why should we not allow imageries of two girls kissing harmlessly on television? They are like over protective parents, too afraid to expose their children to the world. If there is something that is not "normal", we don't talk about it. If it is a voice louder than usual, then we don't want to hear it. That is the mentality of the government here in Singapore, all the while trying to promote itself as the cultural center of Asia. It's like a vegan who owns a butcher's shop, it doesn't make any sense. 

Funny Games U.S.

Thursday, April 17, 2008

Funny Games U.S.


First and foremost, I have to apologize to Mr. Michael Haneke, despite not knowing him, for dismissing him a few months ago when I made an entry about movies regarding torture. I didn't know the premise of this film, which was why I filled in the gaps and drew my own conclusions about this film as well. I cannot be blamed, however, because this film is the way that it is on the surface if you refuse to read between the lines and to draw your own conclusions from the intended messages hidden within. Funny Games is a film that demands your attention because it does not follow the path of the ordinary that has been the case for all the other films we have seen in the cinemas over the years. Predictable endings, even films that bank on their unique twists and turns towards the end, are not all that unpredictable anymore. If you know that a twist is coming up, then what kind of twist is that? Funny Games, however, is not your typical torture movie that involves ridiculous amount of bloodshed and then tries to teach you a lesson towards the end, whether or not the message gets to you by the time you walk out of the theater doesn't really matter. Funny Games sits you down, tie you up, and lectures you. 

An interesting point to note would be the fact that director Michael Haneke is remaking his own film by the same name, from more than ten years ago. The original film was in German however, and this American version of his own movie is not your typical adaptation at all. This is a frame by frame, dialog by dialog copy of the original with different actors living in a different country. Some might wonder what is the point of remaking your own movie in a different language when everything else is the same? Well, to get to that, we'd have to look deeper into the core message of this film - which would naturally reveal a few spoilers. So if you do intend to watch this film in the theaters, it is about time to turn back now and close this browser. 

Funny Games begin with a happy family traveling to their summer retreat at the countryside for a vacation. George (Tim Roth) is the father, Anna (Naomi Watts) is the wife, and Georgie (Devon Gearhart) is their young son. Moments after they have arrived, they are visited by two harmless looking young men who called themselves Paul and Peter, played by Michael Pitt and Brady Corbet. It began with Peter asking for eggs, and then more eggs, and then even more eggs, and the whole event escalated to a point of no return when George slapped Paul across the face, and that triggered the two young visitors to begin their deadly game. For the next twelve hours, the family was told that they'd be part of a game, and the objective of the game would be to survive until tomorrow morning, it is as easy as easy gets. It does sound like your typical torture movie, doesn't it? Well, Funny Games is anything but typical. 

The film begins with the family traveling down a long stretch of road with opera music in the background. George is talking to Anna about opera, quizzing each other about the song playing on the car's radio - everything is normal so far. That is until the director decides to take away the opera music in the background and replace it with a German thrash metal music, with the shot of the happy family talking and laughing still rolling on screen. From that moment on, it was not difficult for me to realize that this film was going to be quite an experience. Throughout the film, the director used various different unconventional methods to put forth a certain message which would seem to be pointless at the beginning. The actors, at some points in time, even looked into the camera to directly address the audience and to ask us questions. At one point, the film even stopped and rewinded to reveal an alternate ending to the film entirely. As you might have already guessed, this film is really quite something.

I don't think that in the context of European movies, this manipulation of the audience is anything new. Manipulation as a tactic of the director has long been a tradition in European cinema, and to put it in a purely American context was probably the effort by the director to bring the filming style to a much wider audience out there, whether or not they can stomach the film or not. This film does not emphasize on the kind of torture you would expect in normal torture movies that involve elaborate devices chained to innocent victims - of course, they have usually committed some kind of crime in life and got away with it previously, only to be found out by the psychopath somehow. Anyway, much of this film's supposedly 'torture' scenes happens when the camera is not focused on it. That is to say, if you are somebody who cannot take blood and gore, this film is probably not going to disturb you very badly because everything happens off screen. However, that is not to undermine the fact that the film was haunting and unnerving on a completely different level. 

Some may argue that the film was too long and slow-paced, but that is something I'd like to stand up against. I feel that much of the film was perfectly paced to build up the intensity of the situation, something that is not found in normal horror films these days. People want back to back action and scares, but that is not the route that the director wants here. Like I said before, Funny Games is anything but conventional, so you shouldn't expect to go into the cinema and then come out of it the same way you would after watching an ordinary movie. This film is going to feel like a sucker punch, because not only are the techniques used in this film completely different from anything that I have seen, the ending of the film is definitely going to be quite a shocker to the people out there, despite not trying to package it to be a twist or whatever. This film is a film that says "Screw you, normalcy!", and then presents itself in a manner that is out of this world.

Performance wise, it was excellent across the board. I've always loved Naomi Watts, and to see her in just her underwear and bra throughout the most part of the film was definitely a guilty pleasure of mine. However, to see her being tortured was definitely something that caused my blood to boil. Tim Roth was excellent as the helpless husband, and this time he took a step back in order for Naomi Watts' character to shine. And as for the two killers responsible for this whole nightmare, they were brilliant in their own rights as well. They were probably the split up version of how Hannibal Lector must have been like when they were young, with their polite smiles and their cold stares. Michael Pitt was the star of the film, the center of the attention. He was creepy enough to look into the camera and send shivers down my spine, and it is a wonder why he isn't more appreciated to the mainstream audience. 

There has been a lot of debate as to whether or not it was necessary to have the characters look into the camera and address the audience, or to have that whole rewinding sequence played out in the film. A reviewer I read thought that the director might have been overdoing it, despite applauding his courage to portray his film in that fashion. Personally, I feel that the technique was absolutely necessary in putting forth the point the director was trying to make, the point that our society has been numbed to violence in the media so much so that we are now cheering for the murderers instead of the victims. We like to see violence just because it is in a movie right now, when it really shouldn't be something that we put our hands together for. 

This film is an aggressive and uncomfortable piece of work. Everything from the thrash metal music, to the droning sound of television in the background, to the monotonous and cold-blooded voices of the killers. Everything is unnerving and uncomfortable in this film, but that is exactly what the director wanted in the first place. This film addresses a social problem that has been conveniently ignored by everybody just because it has become such an ordinary thing to do. If there is a video of a girl being beat up by her friends on the internet, we want to watch it. If there is a piece of news about a man being beheaded by his friend in the backyard, we want to read about it. If there is a reality show that involves people doing dangerous and stupid things to themselves or each other, the ratings are going to skyrocket for one reason or another. Violence is something that humans have taken into account as part of their everyday lives, like going to the bathroom or eating at the dining table. It is almost as if the director is trying to have the audience question ourselves," Is this what you want to see? Are you enjoying this? Is this how you want to be entertained?" I thought the fact that the director managed to make me question myself, was masterful and brilliant. 

The director is trying to give us a lesson here about our society's perversity, that violence - even in the cinema - shouldn't be something we applaud or pay money for. If you paid money just to watch Funny Games, then you have already fallen into the trap of the director. But the end of the film is not going to satisfy you either, because it does not end with the family fighting back and killing the people responsible. You are not going to think that you just paid your money for a good movie, but then that is the whole point. This film is not entertainment, it is a lesson, an experience. The experience, however, is not meant for anybody out there at all. In fact, I am not even going to recommend this film because not a lot of people are going to appreciate it very much. This is reflected in the bad ratings across the board, but I still gave it a shot in the end. It is either you love it or you hate it for this one, and I guess I belong in the former category. This film is definitely something which all moviegoers should expose themselves to, simply because of what it stands for - a raw in-your-face lesson that grabs you by the throat and never lets it go. 

8.5/10